Archive for June, 2007

Indoor environment is usually not sufficiently illuminated. Most compact cameras automatically use the flash in this condition. But the result is not satisfying.By watching this video you will understand that filling the shadows with a simple flash is not a good idea:some areas will end up burned, overexposed. By adding more little lights to the environment (a 4 lights device attached around the lens), the lighting approaches more to the outdoor conditions (softer light).
Another idea for overcoming the problems that come with the use of flash is using a diffuzer. About this, later.

Tags: flash, indoor photography, indoor lighting, fill flash, diffuzer

The Center for Fine Art Photography offers a range of workshops for the novice photographer to the advanced professional. Each workshop is presented by a photographer who has extensive knowledge and skills in the subject he or she presents. All classes are limited to a certain number of attendees to maximize your learning experience. New courses are added frequently.

JULY, 2007
- Forum: “What Remains” film viewing
- Photoshop Techniques: For Portrait Photographers
AUG, 2007
- Photography Basics 1 with digital and film cameras
- Photography Basics 2 with digital and film cameras
SEPT, 2007
- Studio Lighting – Iron Chef Style!
- Photoshop CS3 Basics – Section 1
- Photoshop CS3 Basics – Section 2
OCT, 2007
- Photoshop CS3 Intermediate – Section 1
- Photoshop CS3 Intermediate – Section 2
NOV, 2007
- Zen and the Art of Photography

2007 Potential Workshops:
How to Buy Photo Equipment
Camera Basics – using digital or film
Transition to Digital Photography
Mastering Exposure
Studio Lighting for Still Life
Polaroid Transfers
Hand Coloring

More details

Tags: photography workshop, Center for Fine Art Photography



After seeing that lots of people are impressed about the HDR concept, and the easiness of working with this software called Photomatrix, I decided to try it out. But I was disappointed. What I’m about to say it’s just my opinion and many will probably not agree.

I noticed before that the manipulated photos coming from this software have a hallow around the objects, but now it is much clearer: The hallow appears in the “tone mapping” step of the image processing and it is greater as much as you push the Strength option to the right. By using the “Generate” + “Tone Mapping” like in the tutorial, I always came out with unrealistic images full of hallow (and I don’t think this effect is giving the picture dynamism).

Some people are over-fascinated by the HDR trend and use it even on normal pictures which don’t require it. Examples of this are the portraits (in normal lateral light). With Photomatrix, people with hallow around them have an unusual skin lightness and the picture itself looks more like a digital painting.

By the way, I also noticed that this software fills the resulting picture with noise, so, if after this you apply a strong noise filter, it’s no wonder that the image will look like a painting.

Even if the Photomatrix version I used is called “Pro”, there are still many mistakes in the HDR generation, mistakes that appear like strong white or back spots. I can only hope this will be fixed as soon as possible.

I think the “Combine” function of Photomatrix is ok. It’s useful to use the Combine on:
• images taken at the time between night and day,
• images taken with different exposures in order to obtain a better sky,
• images taken against the light,
• images with different focusing points,
• images taken thru a gate or a cave with and without flash,
• as well as images of indoor architecture,
but it’s an aberration to use it on simple scenes that look just fine with no HDR.


Tags: HDR, Photomatrix, photoaxe, photo tips, tutorials



Tip 1
Use your best telephoto and macro lenses. Some little creatures won’t allow you to get very close and since you don’t want them to be scared away and chase them all over the place for a long time, you may consider a telephoto lens.

Tip 2
Be very patient, move slowly and silently. Try again and again; don’t get angry because this is one of the subjects that are hard to get right from the first time. They move fast and unexpected.

Tip 3
Surprise your little bug in the middle of an interesting action (like feeding time, reproduction time, fighting, and so on).

Tip 4
Know with what you are dealing with. Maybe it’s a deadly spider, maybe it’s a friendly butterfly that will even settle on your camera. Also, learn their habits so that next time you encounter that creature, be prepared to shoot better.

Tip 5
These creatures are usually very small meaning that the camera will hardly find the right focus point. I suggest using manual focus (set it to the minimal possible distance when you can get close enough – about 3-5cm).

Tip 6
Try every angle: front, side, above. Study the physiognomy of your subject without interfering with it. Don’t touch it (supposing you could do that), let it stay and do whatever it desires. Of course, don’t kill it: you are a photographer not a bug criminal.

A bug’s LifeA bug’s LifeA bug’s LifeA bug’s LifeA bug’s LifeA bug’s LifeA bug’s LifeA bug’s LifeA bug’s LifeA bug’s Life


Tags: bug photo, insect photo, bug macro, macro photography

Some people buy themselves a powerful camera (professional) from the beginning, but only a year after that get to know all she can do. Others have a different vision: at the beginning the passion for Photography is not that big and a compact camera fits their requirements at the moment. After one year or so, the passion gets bigger and the ideas more complex, they feel strangulated by the camera limitations. Then they buy a professional camera and learn using the new functions a lot faster.

I admit I did not start with the books in front my eyes. Not at all. I started by pressing the shutter button and looking at pictures albums. I started by looking through the viewfinder and frame my ideas before pressing the button. Then I moved on into discovering the functions of the camera. And so more complex ideas were build in my mind.

For each idea I looked forward to see good pictures made by others. And even in this phase the book remained untouched. By looking in albums and see what pictures marked the history of Photography, you build a little database in your head, a database that will allow you to be creative. When looking around you, you will see in your head what others might have shot and you will try not to do the same.

But before this, I wanted rediscover the wheel to say so: to rediscover which setting fits a certain type of photography. Why? Because this way I can remember better what to do next time. It’s all about learning from mistakes.

After forming my eye, and only after that, I looked in the book having by my side the pictures I took (the ones I thought were the best). I tried finding the mistakes in each of them: “oh, this one would have been a lot better if I would have decreased the exposure!” It is like this that I understood and memorized the meaning of the settings. It might be frustrating to think that if you would have read the book first you would have took that shot in a better way, but on long terms, this method helps a lot. To get away from frustrations, take the first shots in places you can always return.

Letting others comment your photos might help finding the mistakes faster, but, you should first know that Photography is Art and Art is subjective (what you like others may not and the other way around). Second, you definitely must know who is commenting your art: only advices coming from more experienced ones can be truly trusted.

Tags: photography, how to begin photography, starting with photography

Unlike its predecessor L5, the Nikon L6 has 1MP less and also 2x less optical zoom. The battery life is impressive, but the shutter lag is slow (long time to charge flash). The design is smooth, quite flat to fit the pockets, lightweight and with intuitive buttons at the back. It does not have Shutter and Aperture Priority, but comes with plenty of scene modes including panoramic feature. The best shot selector mode captures up to 10 images and keeps the sharpest one. Therefore, the images are pleasant, with lots of details. Exposure compensation and manual white balance are a few controls that can allow some flexibility, but you can’t modify the ISO, and I find that annoying. A good camera for snap-shooters (due to the easy of use and image quality), but make sure you have steady hands because it does not come with image stabilization.
Nikon Coolpix L6 Specifications
Nikon Coolpix L6
Nikon Coolpix L6
Nikon Coolpix L6
Nikon Coolpix L6

Tags: nikon digital camera, compact digital camera, digital camera, nikon coolpix, nikon coolpix l6, coolpix l6, 6MP, 3x optical zoom

Functions:
• Shooting Modes: Auto, Scene, Movie
• Scene Modes: Copy, Museum, Sunset, Close-up, Dawn/dusk, Fireworks, Landscape, Back light, Beach/snow, Sports mode, Party/indoor, Portrait mode, Night portrait, Night landscape, Panorama assist
• Movie Mode: 640 x 480, 320 x 240, 30/15 fps, QuickTime format
• Effects: Cool, Sepia, Vivid, Black & White
• Flash Modes: Auto, Fill-in, Red-Eye reduction, Slow, Off
• White Balance: 5 positions, manual preset
• Metering: 256 segment Matrix
Nikon Coolpix L6Technical Data:
• 2.5 inch LCD
• 6.0 megapixels
• 3.1 x optical zoom + 4x digital zoom
• Focal Length: 38 mm – 116 mm
• Aperture: F3.2 – F5.3
• ISO Range: 50 – 800
• Flash Range: 1 ft – 16.4 ft
• Focus Range: Normal: 30 cm, Macro: 10 cm
• Exposure Compensation: -2 to +2 EV in 1/3 EV steps
• Continuos Shooting: 2.2 frames per second
• Shutter Speed: 4 sec – 1/1500 sec
• Self Timer: 3, 10 sec
• File Format: JPEG (EXIF 2.2)
• SD/MMC – Secure Digital memory + 23 MB internal memory
• 2xAA NiMH battery

Tags: nikon digital camera, compact digital camera, digital camera, nikon coolpix, nikon coolpix l6, coolpix l6, 6MP, 3x optical zoom

Functions:
• Shooting Modes: Auto, Scene, Movie
• Scene Modes: Copy, Museum, Sunset, Close-up, Dawn/dusk, Fireworks, Landscape, Back light, Beach/snow, Sports mode, Party/indoor, Portrait mode, Night portrait, Night landscape, Panorama assist
• Movie Mode: 640 x 480, 320 x 240, 30/15 fps, QuickTime format
• Effects: Cool, Sepia, Vivid, Black & White
• Flash Modes: Auto, Fill-in, Red-Eye reduction, Slow, Off
• White Balance: 5 positions, manual preset
• Metering: 256 segment Matrix
Nikon Coolpix L5Technical Data:
• 2.5 inch LCD
• 7.1 megapixels
• 5x optical zoom + 4x digital zoom
• Focal Length: 38 mm – 190 mm
• Aperture: F2.9 – F5.0
• ISO Range: 80 – 400
• Flash Range: 5 m
• Focus Range: Normal: 50 cm, Macro: 4 cm
• Exposure Compensation: -2 to +2 EV in 1/3 EV steps
• Continuos Shooting: 16 frames per second, 0.7 frames per second
• Shutter Speed: 4 sec – 1/2000 sec
• Self Timer: 10 sec
• File Format: JPEG (EXIF 2.2)
• SD/MMC – Secure Digital memory + 8 MB internal memory
• 2xAA NiMH battery

Tags: nikon digital camera, compact digital camera, digital camera, nikon coolpix, nikon coolpix l5, coolpix l5, 7MP, 5x optical zoom, image stabilization

Even if the price has not yet been anounced, this compact digital camera from Panasonic will be in the stores starting from June 15th. It is a 7MP camera with image stabilization, 20 scene modes (including a Baby mode that marks a child’s age using the built-in calendar function), high senzitivity ISO 1250 and is available in 3 colors. The Travel Date function sounds intresting.
Panasonic Lumix FS2

Tags: panasonic digital camera, compact digital camera, panasonic lumix, panasonic lumix fs2, lumix fs2, 7MP, image stabilization

The design of Coolpix L5 is different than the one of L4 or L6 and I must admit that I personally don’t like it. It’s the 5x optical zoom that first catches my attention (not 3x like most of the cameras in this range). Then, the optical vibration reduction (image stabilization) brings another plus to the evaluation. Nikon’s Best Shot Selector (BSS) will select for keeping the sharpest picture out of 10 shots. The worst about this camera is the impossibility of modifying the ISO setting (exposure compensation, white balance and metering can be adjusted). Like most of the shapshooting compact digital cameras, it has plenty of scene modes but no manual or shutter/aperture priority. For example, one-touch portrait mode uses face-priority autofocus and sets a wide aperture to blur the background and make your subject stand out. With flash turned on, it takes 4 seconds between shots, which is very slow (no focus-assist lamp?). As for the image quality, Coolpix L6 performs better even if it has fewer features.
Nikon Coolpix L5 Specifications
Nikon Coolpix L5
Nikon Coolpix L5
Nikon Coolpix L5
Nikon Coolpix L5

Tags: nikon digital camera, compact digital camera, digital camera, nikon coolpix, nikon coolpix l5, coolpix l5, 7MP, 5x optical zoom, image stabilization